At The Forks
https://ojs.lib.umanitoba.ca/index.php/forks
<div class="profile-content"> <p><em>At the Forks: Where Indigenous and Human Rights Intersect</em> is an open-access platform to highlight scholarship that engages in critical conversation around the connections, tensions, limits, and possibilities of Indigenous and human rights, with a focus on the prairies and its neighbours. </p> <p> </p> </div> <div class="profile-buttonlink"><a class="profile-button button button-small border-box " href="https://chrr.info/at-the-forks/">LEARN MORE</a></div>CHRRen-USAt The ForksIntroduction
https://ojs.lib.umanitoba.ca/index.php/forks/article/view/938
<p>In this volume:</p> <ol> <li>Vernon’s The Black Prairie Archives: A Discussion</li> <li>Present is the Past: Flowing into New Waters</li> <li>More than entertainment: Indigenous women are teaching through filmmaking</li> <li>Putting Emergency in Context</li> </ol>Adele Perry
Copyright (c) 2023 Adele Perry
https://creativecommons.org/licenses/by/4.0
2023-08-042023-08-0421Vernon’s The Black Prairie Archives: A Discussion
https://ojs.lib.umanitoba.ca/index.php/forks/article/view/922
<p>Some of the long-standing silence about Black prairie pasts was punctured in 2020 and 2021. In June of 2020 some 15,000 people gathered in Winnipeg in the name of Justice4BlackLives. Early in 2022, viewers should be able to watch a television series inspired by Winnipeg’s sleeping car porters, and it will be the biggest Black-led television production ever made in Canada. We still know too little about Black prairie pasts, and Vernon’s book, and these thoughtful responses to it, give us crucial ways to start better considering Black prairie histories.</p>Adele PerryBarrington WalkerSonja BoonBetchel Belachew Erica Violet Lee
Copyright (c) 2022 Dr. Adele Perry
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2023-08-042023-08-0421Present is the Past: Flowing into New Waters
https://ojs.lib.umanitoba.ca/index.php/forks/article/view/937
<p>My name is Carlie Kane, and I am the grand daughter of Elizabeth Terry Southwind, a matriarch from Obishikokaang [Lac Seul First Nation] on Treaty 3 territory. As an intergenerational survivor of the Indian Residential School and the Indian Day school system, re-learning my Anishinaabe identity and reconnecting with the Land and Water is part of my journey. This is my story.</p>Carlie Kane
Copyright (c) 2023 Carlie Kane
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2023-08-042023-08-0421More than entertainment: Indigenous women are teaching through filmmaking
https://ojs.lib.umanitoba.ca/index.php/forks/article/view/936
<p>Amazing films by Indigenous filmmakers are not just fun to watch, but are also an important component of working toward a more just future in which respect for Indigenous territories, rights and responsibilities are fundamental to how we all live.</p> <p>In disrupting stereotypes, showcasing Indigenous excellence and teaching about histories and contemporary realities that matter, Indigenous filmmakers are leading the way toward a better future.</p>Jocelyn ThorpeKaila Johnston
Copyright (c) 2023 Jocelyn Thorpe, Kaila Johnston
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2023-08-042023-08-0421Putting “emergency” in context: Leah Gazan on the introduction of the Emergencies Act
https://ojs.lib.umanitoba.ca/index.php/forks/article/view/923
<p>Introduction by Adele Perry and Kiera Ladner</p> <p>Speech by Leah Gazan (Members of Parliament, House of Commons of Canada)</p>Leah GazanAdele PerryKiera Ladner
Copyright (c) 2022 Leah Gazan MP
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2023-08-042023-08-0421